Half dome revised

So I have taken my painting of Half Dome and have tried to "fix" some of the problems that I saw, mainly that Half Dome was not the main focus of the painting.
I started with a simple fix: cropping the distracting foreground out (not actually cutting the paper here, just electronically editing).

But then I took it a little further. To actually fix the foreground instead of just cropping it out, I darkened the foreground, and created some layers to draw your eye toward the cliffs. Since the color of the sky and Half Dome were so similar, I also decided to take the sky a little darker...ok, a lot darker, downright stormy. And what would you expect with a storm at Half Dome? Lightning, of course. Using a very fine brush to apply lumpy masking fluid is a challenge but I was able to get some fine lines to create the lightning.

At this point, I have not done anything to the cliffs (although the exposure of the photo made them look more yellow).

 Ok, it seemed like the lightning is a little too much, drawing focus away again, so let's take a little bit of it out but continue to darken the clouds a bit. Hmm, maybe too much?

At this point, I have over-worked my paper and will call it finished. Sometimes I just have to push my comfort zone and keep working a piece, but sometimes I have to know when a painting is finished. Either way, I have learned a few things in the process, so I think I will have to revisit this subject and paint Half Dome again soon.

Half Dome in Mist

So my third Yosemite inspired painting... Half Dome. This one is still a work in progress. I'm taking a step back to figure out where to go with this. My foreground trees are taking too much focus away from Half Dome, as it gets lost in the mist.

It's a nice painting at this point, but now I have to take some risks to bring the focus to Half Dome. Since I don't have a "revert to last saved" button, this painting will only be saved here as I attempt to problem solve.

Yosemite Falls, watercolor

Here is another Yosemite inspired painting. I am still working from some photos that I took during my visit there last month. Yosemite Falls is always one of the most impressive year round, but with its spring flow, it is even more so.

The cliffs surrounding the falls are quite impressive too, but next time, I think I would crop it down so the focus is more on just the falls and not keep so much foliage or cliffs in the painting. I decided to not use the masking fluid to keep the falls white as I did with my Bridalveil Falls watercolor, but was mindful of where I was painting. These falls are so massive and thick, it just didn't seem necessary.

Bridalveil Falls and Leaning Tower, watercolor

Yosemite has always been one of my favorite places, although I have never used it for inspiration in my paintings. Luckily Sacramento is just close enough to make it a spur of the moment day trip ( a very long day!) I had actually packed all of my gear for plein air painting, but once I got to the valley floor, afternoon thundershowers were threatening, so I decided to just take some pictures and not risk getting soaked. So here is the first of several Yosemite inspired paintings.
Bridalveil Falls was flowing very strong, as to be expected in the spring. You could only get so close before getting wet from the spray. The lone outcropping next to it is called Leaning Tower. (Even having been to Yosemite many times, I did not know this.)

I used masking fluid on the falls and the spray to keep it white but then went back in and added some shadows and a few trees in front of the spray after it had been removed. The falls are so majestic in person, I hope I have done them justice.