Half dome revised

So I have taken my painting of Half Dome and have tried to "fix" some of the problems that I saw, mainly that Half Dome was not the main focus of the painting.
I started with a simple fix: cropping the distracting foreground out (not actually cutting the paper here, just electronically editing).

But then I took it a little further. To actually fix the foreground instead of just cropping it out, I darkened the foreground, and created some layers to draw your eye toward the cliffs. Since the color of the sky and Half Dome were so similar, I also decided to take the sky a little darker...ok, a lot darker, downright stormy. And what would you expect with a storm at Half Dome? Lightning, of course. Using a very fine brush to apply lumpy masking fluid is a challenge but I was able to get some fine lines to create the lightning.

At this point, I have not done anything to the cliffs (although the exposure of the photo made them look more yellow).

 Ok, it seemed like the lightning is a little too much, drawing focus away again, so let's take a little bit of it out but continue to darken the clouds a bit. Hmm, maybe too much?

At this point, I have over-worked my paper and will call it finished. Sometimes I just have to push my comfort zone and keep working a piece, but sometimes I have to know when a painting is finished. Either way, I have learned a few things in the process, so I think I will have to revisit this subject and paint Half Dome again soon.

Half Dome in Mist

So my third Yosemite inspired painting... Half Dome. This one is still a work in progress. I'm taking a step back to figure out where to go with this. My foreground trees are taking too much focus away from Half Dome, as it gets lost in the mist.

It's a nice painting at this point, but now I have to take some risks to bring the focus to Half Dome. Since I don't have a "revert to last saved" button, this painting will only be saved here as I attempt to problem solve.

Painting mist with watercolor

After watching a free video tutorial by Jean Lurssen on how to paint mist with watercolors, here is my attempt. It is very moody and definitly not like my usual landscapes, but I like its simplicity. In fact, it is quite the opposite of my last piece, fantasy landscape watercolor, which is very colorful and playful. I used a half sized page so it is only 7" x 11" and a limited palette of mostly payne's grey and a little ultramarine blue and burnt sienna.

Untitled landscape

This landscape painting was originally inspired by a screensaver photo so I don't know who to give the photo credit to, or even a location that the picture was taken. It just captured my eye because it seemed so peaceful and serene.

I really focused on the shadows on the mountains, trying to keep a consistent color.  Payne's grey does a great job with this, creating a shadow but letting other colors shine through. I also used it in the clouds. I'm not sure about the dark strip of grass in the foreground, though. It feels out of place. I think I need to tone it down a bit so I blends more. 

I'm still not sure what I should title this piece...any suggestions?

Walk along the beach

At first glance, you might think I'm back to painting more scenes from Maui, but actually, this is based on a photo I took at Santa Cruz back in June. It was rainy today so I decided to look through my "art idea" file and see what project I should work on and this one struck me as a challenge! The photo was taken of a couple walking along the beach, but I thought it looked a lot like my wife and I (although I never wear my baseball caps backwards!). It is extremely rare that I put people into my landscapes, so this was a challenge for me, but at least their backs were toward me, so that made it a little easier. I had snapped the photo after they walked past me on the beach one morning. I wish the painting captured a little more movement in their walk but overall I think I portrayed the scene well.

Maui Sunset, watercolor

One of our vacation routines that my wife and I have gotten into is finding a spot near the beach each evening to watch the sunset. We end up taking endless photos trying to capture the colors as they constantly change. I don't think we have seen a sunset with a clear sky yet, but the clouds just add to the uniqueness, beauty, and the colors even after the sun has gone below the horizon.

Here is my attempt at capturing the sunset in watercolor. As beautiful as this is, I don't think I have captured the brilliance of the colors yet.

Maui coast in Kihei, watercolor

I've been busy vacationing in Maui...seems like an oxymoron, but the way that I want to see everything there is to see, maybe it's not.  I've slowed down a little this week and had time to get my paints out. This painting was done from a picture that I had taken a couple of days before and now I'm just relaxing on the lanai of the house we are staying at, and painting.

Round mound and Nevada beach revised

Frequently when I am painting outdoors, I miss details that I don't notice until I get back to my studio. This painting of Round Mound and Nevada Beach was one of those that needed a little revision once I got back indoors, especially since toward the end, I was focused more on the impending storm than the painting.
My original plan was to have the painting's focus be on the clouds and they just weren't capturing my eye, so I reworked them to be a little more eye-catching. Of course I also realized if I don't want the viewer to focus on the hill and beach, I would need to rename it as well...Impending Summer Storm

Round Mound and Nevada Beach

So I decided to find a spot without the crowds..a tough thing to do anywhere along Lake Tahoe. I went for a walk starting at Lakeside Beach and went past the No Trespassing signs (with fine print that says "ok to pass at waters edge"). I found a nice shady spot under a tree, and started to paint Round Mound...yes, that's the official name, I looked it up.  My main focus of this painting was the clouds (but I did get caught in the trees). The thunderheads were building quick, and you can tell by the how dark it got that I finished just in time.

Plain air painting at Lakeside Beach

Trying to escape the heat, my family headed up to South Lake Tahoe. The scenery up there never disappoints. One of our favorite beaches is Lakeside Beach. Although the beach can get pretty crowded, if you get there before noon, it's not to bad. I scoped out a spot back among the trees to avoid getting any more sunburned than I had the day before and started to paint. Already the sunbathers were out and I had to determine how many of them would make it into my painting.
I narrowed it down to three although my original sketch had 5. Painting subjects while they are moving around is quite a challenge, and although these sunbathers didn't move around too much, it was enough. I'm not sure I'm happy with the composition of the painting. I need to crop out some of the sand. The focus of the painting is also unclear: the lake and mountains, the sailboat, the sunbathers, the clouds?

Lighthouse revisited

So after letting this sit for a while, I decided I needed to lighten the lighthouse in my Santa Cruz seascape. I lifted the black with a wet brush, scrubbing it the best I could without overworking the paper. I added some pops of green to the lighthouse, which was the color actually in my reference photo but too washed out by the light to see(as cameras do) but I had other shots of the lighthouse from other angles. Green is also the complimentary color to the red in the sail. Then to balance the color out I added green to the rocks, giving it a mossy look! I still need to work on subjects that are backlit, but for now, I think this is finished!

Lighthouse detail - the green is still hard to see because of the photo

Revised

Original

Santa Cruz seascapes in watercolor

So here is the watercolor of my lighthouse sketch. I added the sailboat to add some interest to the right side of the painting.  I really like the effect I got with the marine layer (payne's grey) and the blue sky. I simplified the waves, and darken the lighthouse...maybe a little too dark.  

Some watercolor painters it's tell me they work on more than one plaiting at a time. So while waiting for one to dry, they work on the next. As I worked on my second Santa Cruz inspired painting, I realized that in order for painting more than one painting at a time to be effective, they need to have similar palettes. I kept having to completely rinse off each brush.

 This second seascape was done from a photo I had taken. I needed to crop more of the foreground out.  On this painting I tried to put more focus on the waves.

Abandoned art, watercolor squares

I started this project a while back with some Earth Day art, and it was supposed to be an "abandoned art" project where these pieces were left in public places for people to find. Somehow, it never came to fruition. The part that was missing seemed to be the most critical part of the project, a scannable code or URL on the back of the artwork to direct whoever found the piece back to a website to get information about the artist.
So here are the pieces that I had created to be abandoned. I'm kind of attached to them now and I don't think they deserve to be abandoned any more. All of these are done on 4x4" squares of watercolor paper. Great for Christmas gifts or maybe I should mount them into a grid in a collage frame to display them as one piece.

Just some thoughts about the art...
For some reason I was stuck on creating negative spaces...for the lettering, the flowers, the eye.
I love the eye, but realize the challenge in portraits is not in creating one eye, but in creating a second mirror image that matches! The "imagine" piece is a bit chaotic, but I suppose the universe as well as my imagination might seem like that.

Should I make one more to finish the 3 by 3 grid? What word would you use?

Plein air from the patio near Lake Tahoe

Having a nice, relaxing day up in the mountains near Lake Tahoe on the Nevada side. While sitting on the patio, watching the clouds roll in, I felt inspired to capture the scene.  The light changes fast up here, and by the time I was finishing up, it was raining! Five minutes later it stopped, but that's what's to be expected on a summer afternoon.

Beach meditation at sunset

I love sunsets and all the colors that light up in the sky, and the colors come even more alive with clouds. And here in California, sunsets at the beach hit water just right and the rhythmic waves make it a perfect spot for meditating. So here is a man meditating at the beach, part of a story I'm working on illustrating. The challenge here was getting the waves right as they come into the beach...

Original sketch in ballpoint pen

First layer of color

Continued work on watercolor clouds

after

As I continue working on this same piece, watercolor clouds, with a little feedback from fellow artists, I have made a few changes.  My shadows within the clouds have become gray instead of blue, creating a much better shadow effect. I have tried to make the lines more random and not so uniformly scalloped.  I have also added a few more secondary shadow levels. It has really improved the realism, but it still comes across as too planned out with the  three even breaks in the clouds, so I will need to start a fresh painting instead of continuing to rework this one.

before

Watercolor Clouds

So I decided to take on a challenge that has always eluded me...clouds. I love watching clouds moving through the sky, whether it's high wispy cirrus clouds or big cotton ball like cumulus clouds...I could watch them  all day, but when it comes to painting them...that's when I struggle.

My inspiration for this piece was a watercolor piece by Charles Cherry titled "Distant Hills and Clouds".
When I started to paint this, I thought I would go outside to be inspired, but there wasn't a cloud in the sky. I also noticed that I had no palette to mix colors on. I haven't worked plein air in quite a while so some of my supplies we're sitting on my table at home. I ended up pulling the color right from the tube. I hate doing it for fear I'll contaminate the whole tube, but as you can see, I only used 3 colors total and only mixed colors a little on the paper.
Looking at the finished piece, I needed to use a darker color in the clouds for the shadows. I also need to loosen up my "cloud shape". It looks too uniform and too scalloped. It does not come across as realistic.  Any pointers would be appreciated.