Sunrise pedestrian bridge watercolor

Although this doesn't seem like much of a Valentine's day post, the Sunrise pedestrian bridge is one if the places I took my wife on our second date almost 24 years ago. She has always loved this bridge, so I thought I would dedicate this painting to my wife.
 I based this painting on a photo I had taken on the same outing as I had taken photos for Autumn along the river, so the color palette is very similar, and I love the reflections on the calm water of the river.

Iao Needle and stream

Iao Needle, located within the Iao Valley State Park is one of the most recognizeable landmarks in Maui, not only for its striking natural beauty, but also for its historical significance.  It was here in 1790, that King Kamehameha battled with Maui's army in his quest to unite the islands. Even with the Iao Needle serving as a lookout point, Kamehameha defeated Maui's army in a ferocious battle that ultimately changed the course of Hawaiian history.

OK, enough with the history lesson...there are so many shades of green in this valley, and trying to capture the beauty of this place is challenging. I used stippling, lots of dots, to represent the leaves of the trees and to give the painting some depth as well as texture. The bridge brings out a nice architectural contrast against all of the foliage. To the right of the needle, I was trying to capture the look of the clouds descending into the valley...was I successful?

Monet bridge second version

Here is my second Monet Bridge that I started at home midway through my David Lobenberg workshop. I began the same way as my first Monet Bridge with tracing a photocopy of the bridge with pencil (I need to keep my pencilwork much softer so it doesn't take away from the end piece), then put in some light washes (tea consistency, as David Lobenberg refers to it) and then the color on the bridge and some of the shadows.  I noticed that I didn't have the same saturation of color in this one. I need to make sure I am using more pigment to bring out more color in my paintings.

Finished piece, Monet Bridge #2

Here is my first one to compare it with. They both have parts to them that I really like (as well as some flaws) 

Monet Bridge #1

Monet Bridge, a David Lobenberg workshop

I just completed a workshop with David Lobenberg with the subject being the Monet Bridge and it's reflection in the water ...perfect for me! I love the challenge of reflections. Here is a progression of the piece I worked on during this class (I also started a second one for "homework", but I'll post that one later)

This is the "completed" painting at the end of the workshop.  I have not removed the tape because there are still a few areas I'm still pondering...not sure if its finished yet. I will have to let it sit for a few days and come back to it.

The link to my second attempt of this bridge and the final version of this first one is here.

A bridge at Hagan Park

So while I was plein air painting the pond at Hagan Park, I decided to take some pictures to see if I could be further inspired later on. The idea of taking a picture and then going home and painting inside, like most painters do, has always been a struggle for me. Why? I don't know, but there is something about painting a scene that is right in front of you that always seems to inspire me...especially in this beautiful Sacramento weather we are having! So this was painted entirely inside. The biggest advantage that I found to painting inside from a photograph is that I don't having a rushed feeling, leaving more time to let things dry. This has always been a problem for me...having the patience to let one area dry before going to the next.

I really worked on leaving negative spaces on this piece...no masking fluid used (I still have to get some of that so I can figure it out). The bridge kind of reminds me of  Monet's Bridge Over a Pond of Water Lilies.

Bridge over the American River

Today was such a beautiful day in Sacramento, I just had to get outside.  I've been cooped up inside because of rain or just being to cold to go out. (Ha, ha! I know I'm talking low 50's here. I'm just spoiled with California weather)  I have just been trying to get over this creative block that prevents me from even getting started.  But the good part of this is that I'm actually caught up on my blogging and I actually did this TODAY! (Not last month or a couple of weeks ago like I normally start) 

 It has been a while since I was out painting along the American River, but I am drawn to this peaceful strip of land amidst the hustle and bustle of Sacramento.  The Watt Avenue Bridge is one of those spots that the two converge.  I particularly liked the pattern of light and dark created by the support beams, and especially the triangles of afternoon light formed by the sun peeking under the bridge.

I've been working on different techniques such as mixing the color directly on the paper and using a dry brush. I like the way the dry brush strokes on the bottom left created the appearance of the sun shimmering off the rapids in the water.  I'm still working on being patient enough to let areas of the painting dry before laying down the next layer. Sometimes the resulting "bleed" creates a nice effect, like the trunk of the tree on the left. Other times its not so good (under the middle of the bridge).  I also feel there are some perspective issues on the bridge...next time I will need to bring a ruler or straight edge to keep my lines and perspective straight!

Effie Yeaw Nature Area

June 9 - On a beautiful Saturday morning, I decided to go to Effie Yeaw Nature Area for a paint-out where artists were suppose to paint and then display their works for a nominal fee on the patio of the museum.  The museum was planning a fund raiser later that afternoon. I wasn't too sure about displaying my art, but I figured I would go and check out what other artists were doing, take a look around, and do a little painting myself, if I was so inspired.  It had been a while since I had been to Ancil Hoffman Park and Effie Yeaw Nature Area, so I took a stroll around. I was amazed at how much wildlife there was: deer, turkeys, egrets. 

Once I had walked around the nature area, I went to find a nice quiet spot (which is pretty easy since the whole place is quiet!) I set up alongside the path next to a large meadow with my chair (a permanent addition to my plein aire supplies) and my watercolors. My goal in this painting was to focus on not a lot of detail in the background trees, while incorporating as much detail as I could in the tree in the foreground.  I reworked the trunk of the tree several times to get a sense of the texture in the bark. After I was finished, I wished that the oak tree was not so “cut off” but more in the painting.

An additional side note: I had seen so much wildlife in the morning that I thought I should incorporate something into the painting. I decided to put a small deer under the background tree on the left. I did not like the way it was turning out so it quickly became a shadow under the tree instead.

Here's one of the creations of another artist that was at the paint-out.  I really liked the way this watercolor looks.  It actually has the effects that I was working on with the background trees and foreground trees, but I  like the way the bridge turned out!  I took a picture of it on the easel while being displayed for the fundraiser.

William B Pond, again!

March 4, 2012 - I went back to William B Pond, with my family this time, on a lazy Sunday afternoon (the plus side of having a mild winter).  I found a nice quiet spot on the bank by the “Islands” just down river from the bike trail bridge.  I liked the contrast of nature and architecture in this view.

 I really did not spend a lot of time working on reflection on this painting.  One of the hardest parts of watercolor is having patience enough to wait for areas of the painting to dry enough so it doesn’t bleed when I add another layer. When I first started to add reflection, it bled into the water…not the effect I was going for but let’s make all the reflections blurred to match the first one!

I really played with adding an abstract background. I avoided drawing individual trees but put in clumps of color to imply groups of trees. The bridge was a challenge because I couldn’t figure out the color of concrete. In hind sight, I should have just left it a negative space with a few lines to show the shadows because the black is too dark. This will be a spot to return to later to try that!

The geese were all over the place this day and I almost painted one or two right into the foreground. There’s space in that large area of blue at the bottom.  But I had no idea how to draw geese so I did a little “study of a goose” painting.

After I had packed up my painting supplies (which takes about 2 minutes) my family wanted to walk around and see the other areas of the park.  We headed over to the fishing pier by the pond. There on the pier were two other painters doing the same thing I was doing – bringing their paints outside and painting in nature! I couldn’t believe their set up—chairs, easels on tripods, paints and paintbrushes galore. Although I had been working with a minimalist approach when it came to my supplies, I was quite impressed.  One was working with acrylic, which I had never ventured into trying, even back in college. The other artist, who was working in watercolor, was doing a study of the geese! They were quite inspiring on that day.  After talking to them a bit and watching over their shoulder as they painted (I appreciated this because I know having someone watch as I paint is quite nerve-racking), they told me that they were there because of a Meet-Up group called Plein Aire Painters.  I had never even heard of Meet-Up at this time, and up until this point I was just saying I was painting outside. Now I had a name for what I was doing and apparently there was a group of people in Sacramento that was doing the same thing!  So I was anxious to get home and check it out!